My gig situation and market is very similar to what Hammer described. Guess I’ll hold on to my two Yamaha arrangers until the dust settles. As much as I’ve tried to like other arranger products, my ear and preferences still lean toward Yamaha. Even tho’ I have little interest in modern styles, if that’s the direction the Genos takes, I’d consider it, if it shows up with fantastic ensemble sections, new choral voices, multi-pads, and related features. That would fit well with my project studio.