OkAY, MY 2 CENTS WORTH. First, most people tend to strongly defend what THEY own, because it justifies a decision they've made (althouh few will admit to this bias). To me, 'the proof is in the pudding' and the pudding in this case is the professional (as in high-end, multi-million dollar) recording studio. In most such studios you will always find the following: 1. one or more top-of-the-line acoustic pianos 2. a mint-condition REAL B3/Leslie 3. one or more acoustic drum kits and 4. multiple synth/workstations. Rarely will you find an arranger keyboard, and if you do it will probably NOT be featured on any final-production tracks. Guitarist, BTW, tend to bring their own instruments to the studio.

Since cost is not a factor with these studios, one would have to conclude that the synth/workstation is the keyboard of choice for applications requiring non-acoustic sounds, sound effects, or acoustic simulations, AND where SOUND and FLEXIBILITY is the top priority. Apparently, this also carries over to TOP-OF-THE-LINE, A-LIST, PROFESSIONAL, live performances as well, including touring acts, TV bands, etc.

No one doubts or disputes how good an arranger can sound in the hands of a great player such as Marco Parisi, but let's face it; 1. the average DEDICATED arranger player is NOT a great player, and 2. the 'Marco Parisi's' of this world are more-than-competent players on ANY keyboard, including acoustic piano. Also, we all acknowledge how near-perfect arrangers are for OMB's playing (mostly) the NH circuit but these performers are booked mainly for their VOCALS and ENTERTAINMENT abilities. How many times have you heard arranger players tell stories of equipment malfunctions or the like, and did (or finished) the gig DJ'ing (without any complaints from their audiences). This would NEVER, NEVER, EVER happen in a jazz club or even a rock club (which featured live players). Maybe I'm straying off topic a little, but hopefully you see the point I'm trying to make (with NO animosity towards arranger keyboards or arranger players). Just the facts, mam'n, just the facts.

Okay, gotta go back to listening to Cory Henry (Snarky Puppy), one of the most exciting young players to come along in awhile. Take a listen, although it might make you never touch an arranger (or any other keyboard) again .

chas