Originally Posted By: ianmcnll
Not a lot of arranger players in my area...only three that are at an advanced level and are out gigging, primarily with a Tyros or high end PSR. I've been lucky, having the best of both worlds, I suppose, as I play arranger professionally and also play keyboards in a group setting...right now I am on a self imposed sabbatical until March of next year. In the meantime I still jam with some buds, and, of course, play every day on my Tyros4 doing up instrumentals in a style that sort of makes them my own. I like to keep my chops up in both areas.

Bottom line, at least for me, is that arrangers are just "tools of the trade"...I feel they are the same as any other electronic instrument or keyboard, and, for the most part, it really depends on the skill and creativity of the player to make the most of it. Joost and Rico are just two examples of exploiting the instruments fully, but each in his own way.

To me my arranger is both a "live" performance, and a recording instrument (the Tyros4/S950 are basically self contained studios, as are the Korg PA arrangers)...I use styles (personalized by me) when I play/record, and I don't use them to color my songs, rather I create songs by using styles... they're a crucial part of what I do ... I don't consider styles a crutch ... they're part of the art.

When I play in a band situation, I can often use ideas for comping that I picked up while listening to how the parts in the styles were played.

When Cassp started up the E-Jam on SZ a few years ago, we all got a fair idea of how many of the other members used their arrangers...I was very impressed with the fine work that was posted, both by vocalist/arranger users, and those who played strictly instrumentals. It was amazing to see/hear how those with limited keyboard skills managed to make up for it with clever arrangements or brilliant vocals, and not once did I feel there was any lack of talent or anything less than excellence and professionalism in their presentation.

The level of a "performance" is a sum of many parts, not just flashy keyboard licks or great vocal chops. It's a "package", and it's those who can create an attractive assemblage using their strengths and minimizing their weaknesses (or using them to their advantage) that maintain a high level.

Ian

Ian,
I've been here since around 2000-2001 I think, and I remember a very few exceptional intelligent comments, but you win the prize.

I just want to say along with how you grasp things from the styles to help maybe improve you performances, I've said before that I could improvise to make people look up and listen back in the late fifties with one of the best young bands in New Orleans at that time doing the Professor Long Hair, Fats, Little Richard, Ray Charles' "Fathead" solos and tunes of the day.

Our band won two "Battle Of The Bands" that were very prevalent at the time. I've always had a good ear. I played all the old Lee Allen, Herbert Hardesty, Sam Butera, Fathead and Boots Randolph licks I could grasp. I even spent some time getting Yakety Sax to where I did it almost note for note as soon as I heard about it.I was 16 and playing for about 2 years.

I just luckily ran into a younger teenager named Ronnie (Barrose) Barron to join our band. He was an exceptional young 15 year old at the time and went on to join up with Dr. John and also Paul Butterfield.

What I'm trying to say is that all of the things that I learned from that era was great. However, I want to say that when I started back playing and ran across BIAB, and discovered the solo feature, and started putting in all of the intricate variations of chords for the many different chord passages that can be added to the Jazz blues genre, and also the difficult standard tunes that I enjoy, my improvisation really took off.

I really really recommend to any serious improviser no matter what level your at, BIAB will teach you licks that if you listen to closely that you would never dream of, if you used it daily. I just wanted to give some back ground of myself so that no one would think I just fell off of the banana truck and was impressed with BIAB.

Like you said Ian about how you improved you're playing by paying attention to the styles on your arranger, BIAB is a tool for serious wanna be improvisers.

Again, your comment hit the nail on the head.
_________________________
I'm not prejudiced, I hate everybody!! Ha ha! My Sister-In-Law had this tee shirt. She was a riot!!!