I don't think anyone here understands Diki...as i know of none of these machines can do
true Divisi, forget about programming PA3X or whatever. He is talking about true Divisi,
i experience that problem everyday with Strings especially...some of the new Kontakt
Libraries are already Scripted for that but i highly Doubt Kronos or PA3X can do that.
I understand both engines very good, PA3X can achieve veru little of it with a LOT of
programming while Kronos no matter how many OSCs in Combi there is no way to do that.
I don't think there is anyways of programming the PA3X to do this...even if it is possible
it would be a task bigger then actually creating a whole new Style from Scratch.
If something is Programmable it doesn't mean that the synth HAS IT...i can do many things
with Kronos that even the engineers that made it wont know about but that will take me days
of thinking and programming...which also falls down to, no it cant do it.
After hearing the posted examples, although they are rather nicely done, until I hear an example as suggested by Diki, I will agree with Nedim's quote above (the italics are mine).
If someone with a PA3 can post an example of what Diki asked in an earlier post, which is,
" Six separate sounds. Six notes. Play them ANYWHERE on the keyboard. Not over the C4 boundary (or anywhere else). Not at a specific velocity. ANYWHERE. ANY STRENGTH.
The bottom note will be a bari. The NEXT note up (anywhere) will be a 'bone. The NEXT note higher will be a tenor. The NEXT note higher will be an alto. The NEXT note higher will be an trumpet. and the TOP note will also be a trumpet. Regardless of WHERE you play them, regardless of how HARD you play them..." Only then will we be hearing true "Divisi".
Ian
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