I must have gotten of track because I was speaking about GuitarPIC. He even commented that a true blue musician who expects one to use the right chords is a bit over board. He needs to take up twiddly winks or Jacks or start listening to his sister and or brother who have degrees in music because he needs help bad. I'll repeat, he needs help very, very bad, because with an attitude like that he will be guessing the rest of his life why real musicians dodge him and won't play with him. You and Gary 95% of the time if not on the money chord wise are close with few exceptions. I'd work with you anywhere anytime. Hell you're the best guitar picker I know and you don't even have a guitar, friend. And Gary is a real sweetheart. Oops I mean a real dear friend. I never saw Gary get mad before and I fuss at him about sailing by him self and he'd better treat Carol right and not to drink too much kickacrap, oops I mean kickappo juice etc and he's never gotten mae. Man I''m a Jazz enthusiastic and I've had trombone players chew on me for playing a note (a Note) wrong in the melody. I had been playing that note wrong for 5 years' I listened and after playing the note he told me to play for sometime, I couldn't understand how I got started playing that lousy note.
The same thing with the Chords to Moonlight in Vermont. Ask Russ about the chords to that tune in the bridge that are substituted from the original. No true Jazz musician today would even consider playing it the original way Gershwin wrote or who ever. Every tune that a song writer does can be improved by a real Jazz musician who understands the concept of chord Theory.