Come to think of it, those pre-canned Intros are the dead giveaway of the weaker player... You hear four or eight bars of something with style, panache and great emulative technique, then the REAL player comes in... and your jaw drops!

What happened? Where'd he go? You know, the one that COULD play?

If the Intros are the strongest point in the song, it's time to just use the count-in...

[This message has been edited by Diki (edited 07-21-2009).]