Quote:
Originally posted by Diki:
While pretty good at an amateur level, I'm sorry, but her voice didn't strike me as pro in any sense of the word. The vibrato was too forced, dynamics uneven to be honest, a pale shadow of how professional Paul Potts sounded. Does anyone think she deserves to share a stage with the likes of Celine Dion, Sarah Brightman etc.?

As for getting signed by BMG, is there anyone that doesn't see this as Simon Cowell's way of making quick cash from the flash in the pan sensations his show generates? Sorry, guys, this is nice, but I don't see anything more significant than 'She-Bang' in a dress...


Diki, why are you so full of yourself? What is it about you and your talent that puts you in the critics seat? Don't forget although you can play keys you still use an arranger in your show. If I recall one of the show's judges really had some negative comments on arrangers. Please tell us why you don't audtion for American Idol or America's Got Talent. Also what do you have in the talent department that we should be impressed with?

T