While pretty good at an amateur level, I'm sorry, but her voice didn't strike me as pro in any sense of the word. The vibrato was too forced, dynamics uneven to be honest, a pale shadow of how professional Paul Potts sounded. Does anyone think she deserves to share a stage with the likes of Celine Dion, Sarah Brightman etc.?

As for getting signed by BMG, is there anyone that doesn't see this as Simon Cowell's way of making quick cash from the flash in the pan sensations his show generates? Sorry, guys, this is nice, but I don't see anything more significant than 'She-Bang' in a dress...
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An arranger is just a tool. What matters is what you build with it..!