And that's what I've been saying forever... especially in context of translated styles.

It's not just the note numbers you have to get right for a translation to work well, it's the curve of velocity response, AND the crossover points for higher velocity samples, AND the overall volume and EQ.

The translation softwares (EMC, etc.) need to take these FAR more into consideration before translated styles start to sound anywhere NEAR as good as the original style.

BTW, one of Roland's top demonstrators is STILL using a G1000 rather than go up to the G70 for his private gigs, because of the Chord Sequencer. He MIDI's into a TD module, and Fantom Rack and other gear to get the SOUND of the G70 with the benefit of the Chord Sequencer (still the most under-appreciated arranger feature EVER ) still available. Cool...

Chony, have you tried using some translated styles from Roland G70 in your T3, and send the drums into the TD? You might have better luck with the curves, etc. if the style started out on a Roland...