Thank you so much friend. I like the idea of a mic in the middle of the room. I'll experiment. That never crossed my mind. Natural reverb.

I have sequences I've done with my keyboard to play live. I intend to record the sequences straight into the Tascom, which hasn't arrived yet, and record the sax on a different track. Did you say record the sax on two tracks?

Like I mentioned before, Honky Tonk, Nighttrain and tunes that are played forte in the middle of the horn are much easier to record. The problem is the low C, B, and Bb being play in a sub-tone on slow pretty ballads, which are hard notes to pick up.

What about a mic by the bell, another mic at the bottom near the big key holes on the low notes and a room mic. Do you think this would be too many mics.

You know your business I can see. I'm glad we're friends now, friend! I'm elated that I didn't delete this post as I almost did yesterday.

I like to joke around, but I don't like the long drawn out arguments. Thanks for your experience. If you want to know how to lay bricks, send me an email.
Boo Hargis