Quote:
Originally posted by Diki:
[B]The chord sequencer is something you use LIVE. . . Here is a way to help take the LH chord duties away, if you want, when you want, and use your left hand for the bender, or rootless comping, or ANYTHING . . . You don't have to pre-prepare the song in advance, and you don't have to do it the same every night with the chord sequencer, and you can switch in and out of it's use on-the-fly while you are playing your Arranger.
B]


Hey Dikki! Wow! I never knew this feature (the way you explained it) even existed on any arranger keyboard b4. Though Yamaha arrangers include a so called chord sequencer feature, it doesn't allow you to record "live" .

Ok Dikki: I've finally woken up! Finally (for the 1st time) grasping the your description of how Roland's chord sequencer exactly worked, I'm with you "all the way" man! , and understand how useful this feature is for 'live' performance arranger keyboard players like us.

Up until now, I've repeatedly stated, that when playing in auto accomp arranger mode , that I thought 61 keys adequate, because the left hand is restricted to triggering auto accomp chords, and of which can be achieved (via full fingered chords/including inversions & smooth voice leading) within an octave and a half, but with the 'live rec' Chord Seq (Roland) feature ability to FREE the left hand up to play MORE than chords alone, which emphasizes the importance (and necessity) of a 76 (or better yet 88) note arranger keyboard now.

Ok. I encourage others here to jump on the 'live rec' Chord Sequencer feature bandwagon now, to let the arranger keyboard manufacturers (not just Roland) how important & useful a 'live record' Chord Sequencer feature would be.

Thank you Dikki, for raising this important topic again.

Scott
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