Quote:
Originally posted by George Kaye:
... I had a lengthy conversation with my Korg Distict Sales Manager this morning regarding the issue of 62 voice polyphony. Here's what he had to say:
First, all Triton products have no more than 62 notes of polyphony. Even the Triton Studio 88 has just 62 note polyphony, although there are two seperate boards in this instrument each having actually only 60 notes each. So, if you think you have 120 total notes to work with, you are wrong because you can not "share" the polyphony with the same kinds of sounds. Piano, etc. have their own 60 notes and other sounds have their own.
Now, regarding voice allocation, Korg uses the system of "least significant allocation" which means the sound with the lowest volume will be dropped if needed. Because Yamaha uses many sounds with 4 waveforms per foice and Korg never uses more than 2 waveforms per voice, Yamaha sounds can use up more polyphony with the same number of fingers being used for sounds...


I know for a fact that I on occasion run out of polyphony on my Roland G1000, which also uses no more than 2 waveforms per voice and has 64 note polyphony. It also uses a fairly good scheme of voice allocation, so it is not very notitceable, but it is noticeable to me. We are not talking about the question of how many notes one can press at the same time - we are way past arguing that 10 voice polyphony is sufficient. We are also not talking about pre-programmed sequences, where one can easily manage the numbers of notes being played by editing them out. This is real-time play, with eight polyphonic parts of arranger, and layered voices for the solo parts. Add to that two waveforms per voice (I bet most of the better acoustic sounds do use two waveforms), and the sustain pedal... Now, did you say that Korg intends to allow the sequencer to play at the same time???

I just feel that Korg has just built a six-million-dollar man, but with a slight limp. For the money they are intending to charge for this instrument I would expect it to be without such significant shortcomings.

By the way, I don't sing (though I am trying to learn), so my performances are instrumental. Of course, this is not an issue for people who are doing mostly vocal acts, since all they want is bass and drums, but then they usually go for a minimalist solution anyway, and probably would not plunk $3500 for a PA1Pro. Isn't that right, Uncle Dave?

Regards
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Regards,
Alex