Originally Posted By cgiles
Bill, as you know, I too am a "Hammond" fanatic - been playing one for 50 years (and still haven't gotten any better smile ). To add to what Diki was saying about the Expression pedal (yes, definitely MUST be 'long-throw'), in addition to adding those 'special' dynamics to the main organ tones, it (along with the pedal tap) is essential for those trying to get that 'Jimmy Smith/Jack McDuff/Jimmy Mcgriff' bass sound when playing this kind of 'Fatback' music. It's just a simple shuffle beat really, but with an extra dose of syncopation (aka 'groove'). It sounds best on a real Hammond (naturally) but you can come close with a high-quality clone w/pedals that you can configure like a real B3.

I threw something together to try to illustrate my point. Just straight blues changes and roughly based on a tune by my third cousin, Count Basie with the great Joe Williams on vocals - called 'Every Day I Have The Blues'. It's a little sloppy, one overdub, no corrections, no mixdown. Sounds best through bass-heavy monitors or headphones.

https://app.box.com/s/66pdsgzrb2nxjsf56vjhw7k2x8lhfnus

chas


Chas- very nice swinin' feel! But wait, Count Basie is your cousin ?!?
No wonder you can swing! But, yeah, I'd love to hear more about your relation to Count Basie. Definitely one of my favorite big- bands!
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