Ted, I'll try to find it. Don posted it for me before...if he can put his hands on it easily, that may be the best way.

As I recall, it was the rough before the final. It is recognizable, however. I have permission to share the roughs on these, but not the finished piece. I'd have to hunt for the rough on the first one if Don can't put his hands on it.

Tony, the video is being played at the National Home Center show next week; then all business to business. I'll ask for permission to show the film (actually, a slide show on the history of the company....an 80 year old Italian manufacturer), which is looped with an installation film (same score).

Typically, these guys are pretty closed lipped about their internal stuff, and I have to agree not to post finished original scores. I have had two instances where much smaller businesses have stolen rough scores and used them for completely unrelated businesses. To give you an idea, a full-blown score, written precisely to the edit is a minimum of $1,000 per minute. A completed film; a simple one without animation, a lot of travel or difficult sets bills out at a minimum of $2,500-10,000 per finished minute. This, believe it or not, is often faster and less expensive than print alternatives.

FUN, exciting stuff. I've been at it over 50 years, and I'm excited about going to work tomorrow, when I'll be planning my next trip to Dubai.

Be well...sorry for the rant, but there IS an alternative to playing Jimmy Buffet tunes for $100.00 per night to drunks.

Russ