Tony, every once in a while, a talented Master's candidate comes through the university who can really burn it. Sadly, faculty members are mostly site readers who couldn't play Misty without a chart.


When the new head of the entire music program got in town, he was introduced by the club owner. He asked if I could add him....I was playing a duo. The guy couldn't play a note without a chart.

This was a "fast and loose" job, with lot's of requests....a B-3 job at a country club.

I had a friend...Jay Flippen at a nearby University who outplays me with his elbow. He passed recently, but we shared jobs and played together for many, many years.

The main reason I work is this is a big "small" town. You're either in or out. Lot's of choices are made on connections and not talent. After all these years, I know most participants and know all their favorite songs.

I used to recommend other players, but caught a lot of crap when things didn't work out. Too many breaks....drinking too much...not the right material.

If I see a talented player now, I give them a list of appropriate venues and contacts and wish them luck.

There's not much competition in this area. In my market, all everyone wants is jazz. That's what I'm known for. In fact, I don't know anyone buy Chas here who would even be interested or be familiar with the material.


Russ