Henni,

my reply wasn't directed to you but instead to Diki. I hate being long winded, but I guess that in this case I was maybe too concise.
To expound a little more (without becoming long winded), it all boils down to what you are after: Diki obviously craves for control and to be perfectly happy needs to control every aspect of the music recording process. I, on the other hand, look for authenticity and here nothing can beat a recorded loop.
And let me add something: the more a drum kit becomes complex, the less it's interchangeable with others. On my Kronos I have a drum kit made just of congas samples; on an ordinary kit there would be just three keys dedicated to the congas, but here you have more than three octaves of congas sampled in every possible way: not only high, low and slap (or mute) but played with the palm, the finger, sliding the hand, etc. The Kronos has also midi loops specific for this kit, and they sound amazingly real, ALMOST like a sampled loop, but of course they sound like total cr@p when played with another drum kit.
So my point is: if you want authenticity nothing beats a sampled loop; if, on the other hand, you are after control... good luck with the drum kits.
_________________________
Korg Kronos 61 and PA3X-Pro76, Roland G-70, BK7-m and Integra 7, Casio PX-5S, Fender Stratocaster with Fralin pickups, Fender Stratocaster with Kinman pickups, vintage Gibson SG standard.