Thanks for the compliment but there are many areas even with Korg that I could not be considered an expert really. ( I won't enumerate) but let's hope that in the areas I do know about a lot I will be able to help folks out.

Having read Bruno's comments here about me I am beginning to feel slightly awkward. Do not get me wrong it is great to be appreciated and I will help out wherever I can but at present I am lumbered with very poor health on account of which I have not even yet hooked up my secondhand PSR3000 which I bought early December to my Korg PA800. And of course I do not have the Micro at my disposal so have to resort to the manual and all that I remember from the days when I had the PA50. So Donny knows I cannot help him on this one.

A few things stand out however in the treads about the Micro here on SZ and that is what puzzles me. I would say that the two most important things to do with the Micro once you have gotten hold of it are to connect it to a major normal size keyboard and have it work properly that way ( see my contributions in the other treads on this) and second to sample everything that is in it and either start programming and tweaking or get my Resources and take it from there.
But one way or another you will have to familiarize yourselves with both the MIDI and the structure of SAVING/LOADING data in every detail.
That to me seems paramount on the outset. And of course how to tweak styles and sounds.
I wonder if Scott or Donny have meanwhile managed to hook up the Micro to their Yamahas ???

Best wishes,
John Smies