Oops! I had assumed that E50/60 got that EQ. Yep, you might have to bump that cutoff up more, in that case!

Bottom line is to monitor on as good a set of speakers as you can, and get out front of the PA speakers with your ears adjusted for audience levels (try straight after a break, when your ears have 'opened' out a hair) and listen to an SMF of the piano sound with you playing it. Sometimes, there's a tendency to make these things a bit too bright (Yamaha, anyone!) to help 'cut' through a mix, but listen objectively in context, and sometimes it's better to go for the warmth. It's amazing how well you can still hear the piano part (the stereo imaging helps enormously) even in a mix, when you aren't actually playing it and trying to hear yourself better!

Not that you need to go back to stock, but I'm STILL not sure wide open is your best bet...

You want to try it sometimes, send me an SMF of you playing a bit of piano on the E60's Classic piano, and I'll pass it untouched through my G70 (no EQ, no tweaks) and send you a decent MP3 back (or a short 16/44 .wav if the piece is short enough) of it for comparison purposes. I think getting the ppp-mp values right is what makes it so good. Bright is OK, but that warmth when you play softly is what eludes almost all other arranger pianos I've ever heard... Think SteinwayD as opposed to Yamaha CIII

Saw your post on the other thread. Sounds like fun! If you have any, and you don't mind an ear thrown on it, any live recordings would be cool to hear. If you want, just email me an MP3 or two?

Good to see you back here, in whatever capacity you choose...