Personally, I would stick FIXED velocity on all your organs sounds (I don't have that option on the G70 except for the VK organ section, wish I did!) and learn the pedal better. The biggest giveaway of non-organ players is the sound of some notes being louder or softer in a chord, or melody lines only changing volume on each note, rather than through the note...
Takes a bit of getting used to, but the end result is worth it.
I thought that the E60/50 got the same per Part EQ that the G70 got in OS2? Take a look in the EFFECTS page top right hand corner, under the Chorus display. Is there a button that says EQ PART EDIT? That is where you would edit a Part's EQ, if the E60 has it... (what version software you running on the E60?)
Rhodes, I tend to use the Vintage EP1 a lot myself, that one though, I often put on High touch, makes that popout a bit harder to hit. Depends on the sound you are going for. No real way of getting around working on your touch, I'm afraid. I use a wide variety of EP's, more so than pianos, anyway. A bit of 54 Auto Pan MFX goes a long way to getting that Suitcase sound, too... (feed it into some chorus or flanger for that 70's sound)
I'm afraid I tend to primarily use the VK Organ section for jazz, you can't get true percussion on sampled tones, because the percussion (at least on A, B and C models that had it) only triggers at the start of a legato phrase, not for each and every note (unless you play staccato), and is another dead giveaway of the sampled organ.
But it seems like you have got things well in hand, and have a personal opinion of what you prefer in sounds, so as long as YOU are happy, I wouldn't worry about it!
[This message has been edited by Diki (edited 03-15-2010).]
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An arranger is just a tool. What matters is what you build with it..!