BTW, I VERY carefully compared the G70 and FantomX together, through a good system. I couldn't hear ANY difference in s/n, frequency response, sample quality (on samples they shared), or overall tone balance.

The FantomX was Roland's absolute TOTL WS. With it's BEST D/A's available. Not a single Roland product ever claimed better. Hence my reluctance to drop nearly $30k on something that doesn't even CLAIM to have better specs.

Sorry, guys, but uncompressed samples and a slightly better s/n ratio didn't make the Oasys a viable product... there are STILL far more Fantoms, Motif's and Tritons on the radio today than Oasys's. Apparently, the guys that do this for a living don't think you have to spend gobs of money for a few db difference no-one is ever going to hear.

And I'm STILL waiting for that 'I GOTTA have one of these!' demos from the Wersi and 'home organ' fanboys... Do you chaps ever actually play them, or is it more of a Spinal Tap scene where you sit around and just look at them and go

'NIGEL: Just listen for a minute....
MARTY: I’m not....
NIGEL: The sustain...listen to it...
MARTY: I’m not hearing anything.
NIGEL: You would, though, if it were playing, because it really ... it’s famous for its sustain...I mean, you could, just hold it....'

Yeah.... just listen to that sample rate! Well, at least you could if you POSTED ANY MUSIC
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An arranger is just a tool. What matters is what you build with it..!