Sure, Tom, but it the sound of a not perfectly regulated set of contacts that gave old electro mechanical organs their character, the sense that each one was individual (along with many other factors, of course), and contributed towards the famous 'key click' sound which has STILL to be successfully imitated by the clones, IMO.

But it is strange... Put any (OK, most!) of the clones into a 147, it will fool me if someone ELSE is playing, but sit at the bench and run your fingers across the keys, and NONE of them seem to have got the waterfall keys spot on, something you'd think fairly easy to accomplish. Some of them don't even come close to a B3's touch. Most keyboard manufacturers spend a FORTUNE trying to duplicate the exact touch of a grand piano. Why so little attention to the touch and feel of a B3..?

I think it is one of the main reasons so many cling to old, long in the tooth originals, when the clones through a Leslie sound SO close...