I’m wary of posting this topic as it will inevitably start the Roland – Korg - Yamaha arranger wars again!
But I have some questions relating to the touch screens on the G70 and Pa1x (and many other boards too for that matter).
It seems to me that the touch screen is an essential control mechanism on both the PA1x and G-70 arrangers. What I mean is, of course the boards could be built without touch screens, but since they have touch screens incorporated, the screens then become a vital means of operating the arranger. Or put another way it’s impossible (or at least much more difficult) to drive the board without using the screen.
So my questions are regarding the quality of the screens on the two arrangers.
1. Has anybody encountered problems with the touch sensitivity on either of the screens? Does the audible click on the G-70 really help?
2. I have fat fingers so find small interfaces (like the new generation of cell phones) too fiddly. Would either screen give me a problem in this area? I.e. which screen has the most intuitive and “easy to touch accurately” interface?
3. I notice that although both arrangers boast colour screens, Roland’s seems far more colourful whereas the Korg’s colours are muted to say the least. In fact it’s difficult to tell on most screens that they’re meant to be colour at all. I’m wondering whether there’s a good reason for this. Do the pastel shades work better under stage lighting conditions? Or is the Roland’s Technicolor approach easier to navigate? I’m just used to my monochromatic plasma display so have no experience of using screens in a live situation.
These are meant as genuine questions on the long-term usability of the colour touch screen approach to keyboard interfaces so here’s hoping this doesn’t degenerate into a mud-slinging match (although they are rather good fun to watch
).
[This message has been edited by andrewpowell (edited 06-21-2005).]