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#196218 - 12/27/04 04:22 AM
Re: SELLING KORG PA 80
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Member
Registered: 10/02/04
Posts: 113
Loc: UK
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Originally posted by Uncle Dave: We've been around this block so many times before..... Speakers, arrangers, keyfeel, pro, non-pro.. sheesh - when will it stop?
The simple truth is:
Things have changed drastically.
25 years ago everyone carried Hammonds, Rhodes, Moogs etc ....... then came the DX7, then the I3, then the psr8000 ........ad infinatum.
Today's "standard" of gear is no longer a cut and dry situation. There are many, many products that are capable of producing high quality, pro sound and in the hands of a seasoned musician - some of the choices might surprise you.
Anyone that equates cost with quality is foolish, because there is no way to determine the value till you get it on stage. I've always thought that Technics kbs were horribly overpriced, yet they have the most loyal following of satisfied buyers that I've ever seen!
Todays music market is very diverse, and there is no standard for gear. On board speakers are extremely popular with performers like myself, who play at lower volume levels very often, and can appreciate the benifit of the "in my face" monitors. I've been supporting my family with music since day one, and my "used" gear list would collapse the bandwith of this forum. Today, I satisfy 350 clients each year, and thousands of patrons with the lightest, most compact setup imaginable.
Am I using pro gear? Absolutely.
Is my kb built as sturdy as some of the so called "pro" workstations? Nope.
** BUT **
There is not ONE high end workstation in the Triton/Fantom/Motif range that can duplicate the features I use in my shows.
The arranger has become a psuedo standard for the solo entertainer, and while there are still many, many choices available - one thing ties us all together. we get good, solid backing, with up to date sounds, versitile Midi playback, and adequate mic control. All this adds up to a value that puts feet on the dance floor and money in my pocket almost every night of the year.
Those of you who are slow to accept the value and performance of the modern arranger are most likely still spliting your ca$h with 3 or more other players, coordinating outfits, dealing with personality clashes, car trouble, drinking habits, work ethics, paying agents and house contractors, etc - more power to ya!
I've been there. I know the drill, and the way I work today is everybit as legit as the work I did with my 10 piece horn band in the 70s. My trio in the 80s did not sound as full I do as a soloist.
We're ALWAYS on time, no one in the band is late, dressed poorly,  drinks, smokes or hangs out with their girlfriends on breaks.
To sumarize:
aw ..... I don't need to sumarize.
 SPOT ON, UNCLE DAVE. Now, if I can find one with a vocal harmonizer that will make even my terrible singing acceptable, I'll sack the rest of the band as well!
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