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#160602 - 10/14/02 01:52 PM
Re: PSR9000 Polyphony
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Senior Member
Registered: 10/08/00
Posts: 4715
Loc: West Virginia
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Good lord!, dropping notes with 256 poly????? I think that's Yamahas biggest problem.. Granted they have some really nice sounding voices, but those voices are made up of way too many elements and that will eat the poly right up.. Don't some of the voices on the PSR-9000 have more than 4 elements in a voice? If Yamaha is going to make these huge voices they should really increase the poly.. Look at that GEM digital.. Doesn't that thing have over 300 poly?
Squeak
[This message has been edited by squeak_D (edited 10-14-2002).]
_________________________
GEAR: Yamaha MOXF-6, Casio MZX-500, Roland Juno-Di, M-Audio Venom, Roland RS-70, Yamaha PSR S700, M-Audio Axiom Pro-61 (Midi Controller). SOFTWARE: Mixcraft-7, PowerTracks Pro Audio 2013, Beat Thang Virtual, Dimension Le.
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#160605 - 10/14/02 04:47 PM
Re: PSR9000 Polyphony
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Member
Registered: 02/04/02
Posts: 307
Loc: United States
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It was one of the reasons I went for a Roland Piano instead of a Yamaha and Technics. I play Piano an awful lot, and certainly don't want to compromise in this area. True 128 note Polyphony on my piano is superb when I get to track 12 (say) on the sequencer, and the only limits seem to be my imagination When I had the Yamaha Pro, I didn't get note drop-out during normal use, it was only when I used the "pads" ...along with the Rhythm, and extensive layering (along with left hand too) You have to understand that 126 notes is 126 notes, and with up to 8 elements per patch. In extreme cases, you could be reduced to a 30 notes left in a four note chord on the right hand using 3 patches with all elements involved. There would be hardley any space for Rhythm/chords at all here if you started using the damper pedal as well! This is taking it to extremes it has to be said, as most BIG patches on a Yamaha 9000/Pro use 3-4 elements. However, with the Rhythm/Auto-Acc/pads going on at the same time even "low" element patches could cause problems. There has to be a "trade-off" somewhere here. You’ve GOT to compromise on the right hand, or vice versa. If you see, and KNOW its limitations, then working within them is better than trying to go against. Great music can be made with the Yamaha 9000; you just have to be sensible with your layering. Try compromising were compromising is required. Tony [This message has been edited by Jupitar5 (edited 10-14-2002).]
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[i]With the ever increase in technology, the word "impossible" should be used with Caution - if at all..
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#160607 - 10/14/02 06:12 PM
Re: PSR9000 Polyphony
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Member
Registered: 03/31/02
Posts: 491
Loc: California
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There are several reasons why the PSR-9000 and 9000 Pro's polyphony can at times be problematic:
1. Many of the sounds on the 9K and 9K Pro are stacked with up to 4 layers. Dependent upon how many sounds are layered your polyphony could be cut by as much as four times. A four layer sound would give you around 32 notes of polyphony.
2. Some of the sounds on the 9000 and 9000 Pro are in fact not "true stereo" but mono sounds stacked then panned hard left and right to mimic stereo. This effectively reduces your polyphony in half. Use several of these "stereo" sounds in a song and chances are you will run out of polyphony very quickly.
3. Earlier versions of the 9K and 9K Pro had software bugs that caused unnatural sounding drop outs when excessive polyphony was used. Thankfully Version 2.0 and version 3.0 fixed most of these problems.
4. The 9K and 9K Pro had bugs in earlier software that also caused drop outs if an excessive number of sounds were used (even if the maximum polyphony wasn't exceeded). I'm not sure if the newest software Rev fixed these problems or not.
Yamaha, not unlike most manufacturers, hypes the number of voices and amount of polyphony as a selling feature but deliberately fails to mention the fact that their instruments can't truly produce 126 or 128 voices at once. Oh sure you could probably get close if you didn't stack the sounds but then the keyboard would sound like crap.
One case in point would be the Yamaha CVP-209. The CVP-209 is touted as having 256 notes of polyphony which is somewhat true. The CVP actually uses two sound engines, one for the piano and "Natural" sounds and one for all other sounds (Cool, Live, Sweet, etc.). Each processor has 128 notes of polyphony but that polyphony can't be shared amongst one another. If they could be shared it would be very difficult to run out of polyphony but anyone who's played a CVP-209 and held the sustain pedal down just to see what happens, will quickly realize the CVP can and will rob notes. The only way around this would be to design a newer, faster processor that could handle all 256 notes of DATA. This no doubt would raise the price of the already heavily inflated CVP series likely pricing it out of production.
When buying any synthesizer, keyboard, or arranger, buy it for what it will do at that time, not what it is supposed to do in a future software upgrade. Also, be certain that the unit can in fact do every function the manufacturer states because chances are it can't. Its called creative marketing and manufacturers know just how to word an ad so you want their new products.
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#160609 - 10/15/02 02:38 PM
Re: PSR9000 Polyphony
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Member
Registered: 07/07/99
Posts: 380
Loc: Wayside, New jersey, USA
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The more I analyze the discussion on this thread, the more I realize what I am doing to contribute to the problem. First, I am using layers with at least 50% of my leads. Second, I am playing 4 note chords at least 75% of the time. Thirdly, I am using Chordal Harmony at least 40% of the time. I think, and this is just speculation on my part, the reason this problem exists in the PSR9K and not on the PSR2k is because the chip on the 2k may be faster. Maybe the PSR9000 is too slow to handle this many demands at once. By the way the X1 occasionally "dropped out" under my style of playing, perhaps this contributes to the chordal harmony "bug" that only me seem to have experienced on this machine. Who knows? Thanks guys for your contributions to this problem, which does not seem to have a solution at this time. Mario
ps. Can't wait to try the Tyros under similar conditions.
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"Music should be heard, not felt. Protect your hearing" Take a listen to some clips of my latest CD album. Thanks! www.MarioLaVera.com
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