'Fraid I have to agree with Jim on the mix issue... Nice playing, Chris, but I could have done with the leads a hair back in the mix, too.
With the Yamaha drum sound already a little polished and smooth, it's easy to overwhelm with some live dynamics, IMO. One thing you can try (if the T2 does this) is to buss all the lead sounds into a compressor effect, and try to tame some of the peaks when you dig in a little. There is always the temptation, when playing live, to want to hear yourself nice and clear at all times, but unfortunately, in the context of a mix, what we are playing isn't always THAT important.
One of the tricks I try to do to check balances on a mix is to turn the mix down to almost inaudibility. If the lead sound is the last thing to disappear, chances are you've mixed it a hair hot. You listen to any well recorded and mastered stuff (Steely Dan is always a good place to start!) and gradually turn the volume down, you will hear pretty much ALL the elements disappear at the same rate, even during solos. It's not that the solos are that loud, really, it is just that room for them in the mix has been made, but not at the expense of swamping the drums and bass...
Just recording ourselves all the time can easily show if we are getting a tendency to sit 'hot' in the mix. It's quite a balancing act to feel comfortable playing, especially rhythm parts (where you ARE supposed to be well within the mix, not on top at all!), and even solos. MOST of the time, until we've made a bunch of board tapes and got to hear ourself AFTER the fact and adjusted our registrations to compensate, we tend to play solos quite a bit louder than we would actually mix it for a CD.
But anyway, all that aside, that was a good rendition of one of my favorite artist's greatest songs... Let's hear some more.