I’ve not gotten too florid with the chord recognition, but I will say this (and it really surprised me). There is a jazz chord progression that I like to play with (it’s in the key of C). In certain jazz styles this is a very fast moving chord progression that consists of seven progressive chord changes, and I like to use this chord progression on faster styles to see how well the auto accomp follows (primarily the bass and chord tracks). The DGX, using a fast jazz style didn’t skip a beat on that progression, and I was shocked how well the bass track followed too. I don’t know how florid you can get with the DGX, but it handling that particular progression in a fast jazz style where the baseline is programmed well beyond a simplistic part is again, impressive.

Sqk