Ouch! Not sure I'd want something that overblown to see my bride come down the aisle to!

Maybe something with a smaller string ensemble, without the piatti cymbals and the heavy horns might work, but I'm with Donny and Gary here... In fact, I might not go for the full tutti diapason organ stops, maybe something a little less over the top there, too.

I have always felt that keeping wedding music appropriate to the scale of the venue helps bind it all together. A massive orchestral score, in a small chapel just isn't realistic. Maybe in the largest cathedral, but in a normal wedding chapel?!

Back before I was much into arrangers, in the early 90's, I sequenced the wedding music for when my own lovely bride came down the aisle. I used my Ensoniq SQ2... I went and programmed a bunch of small classical pieces, in a small ensemble fashion. It worked nicely, didn't draw too much attention to itself (which is part of the function of wedding music) and for the processional at the end, I still stayed fairly small. Several people complimented me on not going over the top (lots of musicians in the congregation!), and have always remembered that for any wedding ceremonies I played.

Remember, it's ALL about the bride, not you..!