Not only are the audio drums a bit wet for some, the problem is that a reverb setting in the regular reverb processor that matches the rooms that the drums were recorded in is sadly missing. So this makes matching the space and timbre the drums are in to any other sounds you use with them pretty hard to do.

And this is what I think Donny is hearing.

Pros often have really different reverb needs than 'home users', who usually have their arranger set up in a living room or bedroom that is sonically dead... Pros play in larger rooms, often with a lot of hard surfaces, so the room they are in is quite lively already. So, how do you mix the audio drums? It seems, at least to me, that Yamaha have mixed these drums for the dead environment.