Hi Chas,
came across a good book many years ago, basically for classical players. " Jazz Improvisation for the Classical Pianist" by Martan Mann".
It was way over my head at the time, but, I ended up lending it to my piano teacher , (she was a really good classical pianist). Anyway she was so impressed she ended up buying a copy for herself.
The idea of the book is try and bridge the world of the classical pianist with the world of the jazz improvisor.
After studying the book , a classical player should have the knowledge to create their own stylings and arrangements from a Fake Book and have the ability to start improvising.
With the bit of classical piano I did learn early on, knowing what a chord was, wasn't part of it. I was too old to bother going thru 5 to 6 years of classical piano lessons, plus playing classics didn't really appeal. I was a real Richard Clayderman fan, so I painstakingly learnt the sheet music note for note. I think back on how much easier it would have been if I'd understood chord construction, would have made learning a tune a lot quicker.
Eventually came across " Bill Irwins Magic Study Series for the Popular Pianist". First section was on chord construction. Second section was on rythms.3rd section covered R/H Harmony, Embellishments, Block Chords etc. Fourth section coverd fills, transposition & chord progressions.
Last but not least was complete section on just Diminished chords, which covered intro's modulations fills interludes & repeats.
Never quite worked my way thru the whole book, it got packed up along with all my piano books after I had to sell my little baby grand.
Kids left, downsized to a much smaller home.
Anyway, I've dug the book back out again, and realized that parts of it could be handy for my arranger playing.
I certainly didn't mean to put anyone down and only meant that as a genre', jazz is, IMO, just flat out harder to master than most other genre's. I think it's partly because of the improvisational nature of it (some folks just can't play ANYTHING unless it's written down - I know some excellent classical players that fit that description), the more complex voicings and phrasing, the more complex and, in some cases, much speedier tempos, and just the fact that it's not as familiar to most folks unless they grew up in a household where it was played.