I sure look forward to trying a Kronos. Might be a while before it gets anywhere near to me in keyboard hell down here in the Panhandle, though!

Not sure I have a burning NEED for it, though... The combination of gear I already have covers the bases pretty well. For all its age, I play my G70 out and get nothing but 'Jeez, that sounds great!' from pros and audience alike, and studio, well, what my G70, Triton and K2500 can't handle, the VSTi's can...

Thing about the CS60 was, yes, it was thinner, and a VERY different keyboard than the CS80, but live, fat isn't always what you need. You can present a lot of challenge to a soundman taking huge chunks out of the spectrum with just ONE keyboard sound. Often, you can get louder in the mix and not get buried behind the guitars, by NOT competing with them for that mid low 'chunk' area of sound.

Anyway, who in their right minds wanted to tour with the CS80?! It weighed a TON and was a tuning nightmare. I only had to recalibrate my CS60's soundcards (one per voice!) about once a month. Had to do that for the CS80 every time you moved it!

I played the earlier kind of Polymoog in a studio in NY, but never felt that it was a TRUE polysynth. Felt more like a cross between an organ and a synth, what with only having the linked filter but full polyphony. Sort of a super string machine type thing. I guess I didn't play one until after the Prophet's and Oberheim's were out, and by that time it was a bit underwhelming.

Wouldn't mind a great condition MemoryMoog, though! Loved that one...