Blue Suede - quoting from your post -

"3. Now you have a new style wich is identical to your old style with one exception; everytime you choose "original, basic, major" you get the sequenced part in the key you choose."

My question here - I am under the impression that within a style - no matter what method you use to create the style - that when you change chords during a performance the style accompaniment is transposed for every chord change. Thus - if I had a violin sequence which I triggered while playing an F chord - the sequence would modulate when switching to a D chord. But what if I didn't want a modulation to occur - Lets say I had sequenced an 8 measure melodic passage which I wanted to have play over the top of a series of chords is that what you are referring to?

thanks
MH