My apologies to current 910 users - I said it was an entry level, but I really didn't mean that. It's every bit a mid level contender, and if you can stand the key feel and don't use the internal VP a whole lot, it's actually quite a beast.

I admit to being a "vocal snob" when it comes to my shows ... I use the harmony a lot, and I honestly think it's not overused the way I approach it. You can't just turn it on and off and get the effect that I desire ... it has to be finessed, tweaked, and modified in real time all night long. I am constantly reaching for the dedicated level control on the PA800 - another reason the 910 did not make it in my lineup.

Seriously - this is an amazing instument with terrific sounds, but i need the thing to be my vocal monitor too, and the speakers and quality of the VP just can't compete with what I have. If I used an outboard PA more often and didn't need the "in my face" monitor - I might have plugged my guitar into the vocal input and used a standalone VP, but I need to travel light and be ready to do a show with one kb, one mic and one speaker ... no matter where it's placed. ( I need to hear my mix no matter where the PA winds up, or how loud it needs to be.)

Am I high maintenance? Yup ... but I charge for it and I love the result. I'm still trying to work my E3 into the rig .... I just love the feel and the sound with 2 hands on it. Hmmmmmmm