the FACT that there were only 20 people there at this IN clinic, and about 12 at "ours" in NY back in Februrary has me a bit worried...

if this keyboard is SO "revolutionary" why not more people?

i mean NY/NJ metropolitan area bringing in about a dozen?

is there that little interest?
a dozen in every major state? and why?
lack of presence at NAMM?
lack of publicity?

and nothing against old folks, but where is the younger generation?
they do play Arrangers, as can be seen in other countries (Portugal, Spain, Italy)...

but what's up here in USA?
Why can't Ketron compete?
Ketron is almost non-existent when compared to BIG 3, but they seem to have the BEAST of all arrangers, right?
Is it price?
Lack of creativity on their RH sounds?
"Bread and Butter" Sounds do get stale after a while

I think Ketron should really consider catering to the "younger" generation with cutting edge dance styles, analog sounds, styles, 808 kits, 909.

I don't think there are enough "folk" musicians, to keep this company afloat for too much longer, at least not in todays economy

I also think Ketron should be careful as to how they price this AUDYA, at least HERE in the USA.

It's just sad that many of my buddies (musicians) say "WHO?" , when i mention the company "Ketron"...

Something is not right...maybe it's just me...but....

just my $0.02

anyone care to put in their $0.02 ?