One thing I'll say about posts like these. It continues to remind us of the power and glory of the mighty 'B3'. I don't think any other keyboard has had such an enduring impact on jazz, rock, and gospel (piano excluded, of course). Just the raw emotion that's there for those with the talent and skill to extract it, is astounding. Jimmy was the master in terms of innovation. He was the first to take jazz/funk organ in that direction and remains the best example of that form (Tony M., Joey D., Don Patterson, Groove Holmes, Jimmy McGriff, Jack McDuff, Lonnie Smith, etc.). Balls-to-the-wall Rock Organ.....a whole different bunch of guys, with their own strengths and high level of excitement. I love both. I just really, really, really, love the instrument.

MiniMoogs, DX7's, Clavinets, C80's, Prophets, Rhodes, Chromas........all made their mark, however briefly, but the sound of the mighty Hammond will always be 'king of the hill'.

Just my completely unbiased opinion, of course.

chas