And to think, the melotron was using audio loops for "all" the parts. Now we're getting excited about the audya using audio loops for "some" of the parts. Rather ironic.

I know, the audya is trying to do it in every key, at any tempo, with several styles, but still, amazing that it's taken 40+ years to even begin to figure out a way to use audio loops in styles, when the melotron was doing it ages ago.

[This message has been edited by FAEbGBD (edited 11-27-2008).]