100kHz in mono, though. 50kHz for stereo, wasn't it? (Still better than any hardware, though)

Still, AD/DA's on software samplers are as good as the soundcard you are using. Use an Apogee, or Prism, etc., and you ought to have close to Fairlight quality, shouldn't you?

Plus, of course, you never really go D/A... you just render in the digital domain, and it NEVER has to hit the analog domain... that ought to keep things pristine!