A MUCH nicer one here, Fran... Well done.

Maybe a couple of suggestions? Me, I'd dial that vocal reverb back a little, or push the reverb on the backing tracks a little higher (preferably the former), but basically try to tie the two elements a little closer. It is difficult to accept drenched vocals in a dry-ish track, and vice versa. Having both in the same ballpark makes the recording more coherent.

Secondly, I'd have a go at perhaps running your vocal monitor a little lower. You sound like you're afraid to let go on your voice, maybe for fear of losing the track, distorting, whatever, and your pitch suffers a bit from not being able to support it with a bit more 'oomph'. Possibly a bit more vocal compression would allow you to sing stronger without jumping out of the track, while having enough gain to help the quieter passages still sit in the mix. A little low-cut on the mike might help your baritone 'cut' just a hair more, too...

But this is a real step forward from previous recordings, and really shows what you can do when you put your mind to it...

Good job....