I haven't heard that version for quite a while, but I think if you try a D7#9, that should do it.

In root position D7#9 = D F# A C F

Typically this chord is played using second position; F# A C F and the C (the 7th) can be dropped for a more open sound while still retaining the dissonance of the F3 against the F natural.

Hope this helps,

Dave


------------------
Wm. David McMahan
Nat'l Product and Support Manager
Generalmusic USA
GEM Community Forums