Pretty much when I play live I play mostly on the PA80 too, but I use the Mo as the " dedicated piano and rhodes " rig, especially when all I'm doing is a solo Piano or Rhodes sound with little or no accompaniment. The Rhodes sound is a staple sound for me. I like the one on the Motif better than on any other keyboard I've had or played since we had a Rhodes kickin' around the studio some 20 years ago. When we finally played out back then I got a Yamaha CP25 because it was the "current" EP sound and it was "portable" ( uggghh it must have weighed over a hundred pounds ..). It had it's own unique sounds but it sounded nothing like a Rhodes.

When I was demoing the Mo, I was thinking mainly of the acoustic piano sound because I don't care too much for the one on the PA80 ( at least I wouldn't use it for a recording ), but I never bothered to even try the EP sounds much until you told me how good you thought the Rhodes sound was on the Mo, mainly because every "Rhodes" sound I had on any keyboard disappointed me. Once I gave it a good listen, I was sold on the Mo.

Ironically, I made up a performance on the PA80 with a combination of voices that sounds a lot like that old CP25 sound, ( which I also came to like when I got used to it ), so it's like the best of both worlds. The CP was unique in it'a own right. I used 3 voices. One is steel guitar of all things, but it works.