Russ,
I couldn't dissagree more about playing solo being boring. Every job is a challenge, and every audience is different, which is what presents the challenge.
When I performed in upscale Italian restaurants I was bored to tears. While the audiences changed regularly, the music didn't. That was boring as hell to me. One of the places I performed at in Baltimore's Little Italy wanted me to do a solo performance for them a couple nights a week. The restaurant was about as upscale as they get, no prices on the menue, and shots of imported cognac selling for up to $325 each--way out of my price range.
The first night I performed I did lots of italian songs during the four-hours I was there. I sang several songs in Italian, which made the owner happy. The 30 or so customers in the lounge sat there drinking their high-priced booze and I wasn't sure if they even noticed the music. The owner's wife loved my voice, and he booked me for the following Saturday.
The next job was a bit different. I had a dozen, young, airline stewardesses in the lounge, gals who requested some upbeat songs that you would likely never perform. They loved it, the tip jar was quickly filled to capacity, the lounge was packed beyond capacity, and there were folks dancing in the hall. The same was true the following Saturday night, with lots of complements about the music and individuals hoping I would become a permanent fixture. I played what the audiences wanted to hear--NOT just the songs I enjoyed performing.
The following week I was not booked, and when I asked the restaurant owner why not he replied "You do an incredible job, everyone loves your performances, but no one is in the restaurant and that's where I make my money--not in the lounge."
We parted company on good terms, and he has called a few times since then asking if I can do a private party for him. Unfortunately, scheduling conflicts have prevented this, but sometime in the near future I suspect he'll be calling again.
I guess I'm fortunate. There has never been a time when performing music has been boring. And, while most of my audiences are folks older than 40 years of age, they tend to be the same individuals that spend the entire evening on the dancefloor and having a ball. It has been my experience that audiences under 40 years of age are the ones that spend most of their time sitting in front of a computer or TV screen, and they're the ones going to bed by 10 p.m.. They have to--they're in debt up to their eyebrows, work two jobs, and many are just one paycheck away from being homeless. The older folks have already been there, done that and learned from their experiences--now they just want to have fun and enjoy life.
We all have different preferences and experiences when it comes to music, and nothing is etched in stone.
Cheers,
Gary
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Travlin' Easy