To answer DNJ's original question of how the sound modules work in relation to the Tyros2, I thought of making two demos showcasing the two different approaches.


Case-1: Using Sound Modules


Here is an example of taking a Standard MIDI File and rendering each track with programs and combinations from different sound modules. Since each track can be linked to a different sound module, one is free to tweak each voice with its own set of multieffects. The resulting Sonar project file plays back all the sound modules live.

Take A Chance On Me.mp3

In this approach you have unlimited freedom to select your own palette of voices, set the relative volume/pan/effect settings and mute certain tracks so that you can play live along with the other backing tracks. You can save different versions of your Sonar Project and even burn the WAV files to a CD and take them with you for your backing arrangements.


Case-2: Using Tyros2


Here is a simpler approach of picking a song from the Music Finder Database of the Tyros2, letting it auto select the right Style and Tempo, and engaging OTS to setup the panel voices.

Taking 'Love Story' as an example from the Music Finder, I am playing along with the selected Style = Epic Ballad, just inputting the lead part with my right hand and triggering the chord changes with my left hand.

Love Story.mp3

All it takes is one pass - no post editing, no quantization - all done in less than 4 minutes! You get instant gratification and a pretty decent result leveraging on the professionally arranged Intros, Fills, Breaks and Endings.

Herein lies the hidden power of an Arranger.

Armed with that famous 1200 Best Songs Fake Book from Hal Leonard, and a Tyros2, one can have endless hours of fun. Just select one of your favorite songs from the Music Finder Database, lookup the lead part and chord changes from the Fake Book and begin playing.

Since I am thoroughly familiar with both approaches, I can say without hesitation, the Arranger approach is a lot more efficient and a heck a lot more entertaining. Professional musicians who are not aware of the power and flexibility of modern arrangers are missing out.


Here are some high resolution photos of my studio.


Tapas



[This message has been edited by Tapas (edited 02-11-2006).]