PRAM,D0>@T Tubular Keys 17@1 lnS IHH!d[ "#d.@ +sr P>O2O!QR(1# z:S$y T IHH!R "dddddd@+ P +QRS1#!| T Tubular Keys 47@1 lnS IHH!d[ "#d.@ +Zr P>O2O!QR(1# z:S$y T IHH!R "dddddd@+m P +QRS1#!| T Tubular Keys 27@1 lnS IHH!d[ "#d.@ +rr P>O2O!QR(1# z:S$y T IHH!R "dddddd@+ P +QRS1#!| ( Hard Sync Lead2P7O1 lfn  IHH!dP P"ddddd@+P!+Q"+!L[rRIAp S lM!1n IHH!dd"d3dddd#L"d41dT@+ P(z !$Q+!rR%zy Sy, PWM Triangle7@2 l555555;. IHH!Sdds"dggdgd#dggg@+F P arQ0RIS l 555;. IHH!Sddr"dggdgd#dggg@+F P brQ0RIS l 555;. IHH!Sddr"dggdgd#dggg@+Fnr P rQ0RI!SdN Mallet bars7@2 T IHH!d:@ 2"dddddd@+KP (2'QS0RS  lc IHH!d:@ 2"dddddd@+mP 2QfpiR(S l IHH!d:@ 2"dddddd@+mP 2'QC0R/S &  S&H funky #17@. l+S=rlnWwBt! IHH!d)k"d+d#dd(b[ @+rP 2S&pQ)< pR(y z2S t l+S=rlnWwBt! IHH!d)k"d+d#dd(b[ @+rP 2S&pQ)< pR(y z2S tQ@ El Piano 1 7F+0 l*r;Cl:\ IH!dE'R\"E@+ P2tb:tQ#+yRrbrS0  ln*Q r IHH!dX='"dXg#7 :E.@+ v P 2z!Q.zJR&zSy8@ El Piano 4 7F+0 l*r;Cl:\ IH!dE'R\"E@+m P2tb:tQ#+yRrbrS0  ln*Q r IHH!dX='"dXg#7 :E.@+ v P 2z!Q.zJR&zSy8 S&H funky #27@. l+S=rlnWwBt! IHH!d)k"d+d#dd(b[ @+P 2S&pQ)< pR(y z2St l+S=rlnWwBt! IHH!d)k"d+d#dd(b[ @+P 2S&pQ)< pR(y z2St, Hybridity 37@- `5555!O. IHH!dd"dP0R#dggg@+zP y;!(Q%R +y!S ` 5555!Q. IHH!dd"dP0R#dggg@+zP y;!(Q%R +y!S `5555!O. IHH!dd"dP0R#dggg@+zP y;!(Q%R +y!SN Modern Keys 3- @B @B @BTN Oldfield M. #1( @B @B@BTN Oldfield M. #2( @B @B@BPN Hot mono lead-< @Bc< @B @BLN Mallet Games 2!0 @B@@B @B SP Dancey El.PianoS++ @B  @B@BP Flashy El.PianoS++ @B @B@BJ Funksta 1-< @B @B; @BhoF Quaser( @B@B @B