1. There is no display information about the incoming level from the microphone signal recording on the MidJay.
Are there some rules or tricks while keeping the level OK while recording a microphone INPUT? Are these rules common to line INPUT recordings?
2. What 's the best and sheapest way to record two microphones on the same time into the Midjay?
Of course, I like to avoid the increase of supplementary noise at the input.
3. How I can simulate a limiter (to control the incoming sound) without buying a separate tool?